Product Overview
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The complete set contains: score, parts for brass/concert bands, parts for rhythm section, vocals, rehearsal notes, ohps.
This arrangement is intended to be used 'as written' in a medley format. Tempo is important and should allow a sense of spaciousness and awe without being too pedestrian, as the music brings the congregation into God's presence.
If the tune Nicaea is to be used by itself, conductors may want to have an unaccompanied second verse (introducting horns at Bar 16, euphoniums at 17, basses at the end of 18 and tutti at 19) or even use the tune book arrangement before taking the coda. Be flexible, be creative!
Similarly the second tune can be used by iteself commencing at Bar 31 as an introduction and repeating froom Bar 57 (D.S. al Coda) back to 33 for the final voice (Carl Tuttle's fifth verse is a repeat of the first verse); if this is done it will be necessary to finish at Bar 40 adding a pause to beat 1.
An OHP Master word sheet is provided; when making a copy please record it in the CCLI Copying Activity Report.
